COMPOSITIONS
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CHORAL
Emerald Sleep (2024)
for voices SSATB; 6’
Commissioned by Vocalis Chamber Choir
Bright Voyage (2021)
for voices SSATTB; 5’
Commissioned by Queens College Treble Choir
The Sea’s Wash in the Hollow of the Heart (2020)
for voices SSATTB; 4’
Commissioned by Variant 6
Among Dark Whirlwinds (2019)
for voices STTTBB; 6’
Commissioned by Singer Pur
Gold and Thorns, Fire and Ice (2019)
for voices STTTBB; 5’
Commissioned by Singer Pur
Immortall Beautie (2019)
for voices TTTBB; 5’
Commissioned by amarcord
You Are the Light of the Stars (2018)
for women's choir SSAA, vln, pno; 5’
2017 ACDA Women's Choir Consortium Commission
Lethe (2017)
for choir SATB; 5’
It is Enough (2016)
for voices STTTBB; 4’
Commissioned by Singer Pur
Seikilos (2011)
for women’s choir & three soprano soloists; 3’
Commissioned by Phillip Swan and Cantala
Shining Light (2009)
for women's choir or voices SSSA; 6’
Commissioned by Canty
Ego dilecto meo (2002)
for voices STTTBB; 3’
Commissioned by Singer Pur
Il nome del bel fior (1998)
for voices SATTTTTBBB; 23’
Commissioned by the Hilliard Ensemble and Singer Pur and funded by a Composer Fellowship from the North Carolina Arts Council
Earlier Heaven (1996)
for choir SSAATTBB; 20’
Commissioned by the Scottish Arts Council and Cappella Nova
Kyria christifera (1995)
for voices STTTBB; 6’
Commissioned by Singer Pur
Music for the Star of the Sea (1994)
for voices ATTB; 8’
Co-winner, Hilliard Composition Prize
SOLO VOCAL
From the Song of Songs (2024)
for countertenor and flexible ensemble; 6’
Commissioned by Franz Vitzthum
Zum Einschlafen zu Sagen (2024)
for tenor and piano; 4’
Commissioned by Luke Honeck
I Am the Other One (2017)
for soprano and piano; 4’
from In Your Dark House
The Lord of Poisons (2017)
for soprano and piano; 3’
from In Your Dark House
Darkening of the Light (2016)
for soprano, cl, vla, perc, piano; 6’
Commissioned by LILITH
The Time Song (2003)
for soprano & saxophone quartet; 4’
Tempus fugit (2003)
for soprano and piano; 4’
Commissioned by The Year of William Meredith Organizing Committee
Doom-begotten Music (2001)
for tenor and piano; 24’
Commissioned by John Potter
SOLO & CHAMBER
The Absence of Stars (2023)
for violin; 6’
Commissioned by Sarah Plum
From The Eternities
Mille regretz (arr.) (2023)
for string quartet; 2’
Commissioned by Sarah Plum
Companion piece to The Absence of Stars
The Undreaming (2019)
for piano; 7’
Commissioned by Michael Mizrahi
From The Eternities
The Vast Unknowable (2018)
for soprano saxophone; 6’
Commissioned by Joseph Connor
From The Eternities
Ephemera (2014)
for flute octet; 7’
Commissioned by Erin Lesser
Floating and Grooving (2003)
for marimba; 9’
Commissioned by Nancy Zeltsman
String Quartet No. 1 (2000)
for string quartet; 17’
Commissioned by the Ciompi Quartet
Proserpine (1997)
for violin, two violas, accordion; 11’
Commissioned by The Netherland-America Foundation
riverrun, past Eve and Adam's... (1996)
for five-octave fortepiano; 11’
Commissioned by Jan-Marc Reichow
Deux-pièces (1994)
for violin; 7’
Blind Watchmaker (1993)
for two pianos; 13’
ORCHESTRA & LARGE ENSEMBLE
La Serenissima (2006)
(Orphans of the Heavenly City, Pt. 2)
for sopr, soloists TTB & orchestra; 20’
The waters of speech are silent (2006)
for wind ensemble; 9’
Commissioned by a consortium of six CBDNA wind ensembles
Doom-begotten Music (2003)
for tenor and string orchestra; 24’
Commissioned by John Potter
FIXED MEDIA
Ka (1990)
for extended voice/fixed media; 4’